FR Persephone Productions
  • Page d'accueil
  • À Propos
    • Compagnie
    • Histoire
    • Directeur
    • Presse >
      • Lost: A Memoir Press >
        • The Westmount Independent Review for Lost: A Memoir
        • The Gazette Preview for Lost: A Memoir
      • Oroonoko Press >
        • The Gazette Review for Oroonoko
        • The Charlebois Post Review for Oroonoko
        • The Montrealer Interview with Paul Van Dyck for Oroonoko
      • Hamlet Press >
        • First Person Charlebois Post by Christopher for Hamlet
        • CBC Interview with Gabrielle Soskin
        • The McGill Tribune Review for Hamlet
        • The Métropolitain Review for Hamlet
        • The Senior Times Review for Hamlet
      • To Be Press >
        • Mirror Review for To Be
        • Charlebois Post First Person for To Be
      • Far from the Madding Crowd Press >
        • Gazette Review for FFTMC
        • Mirror Review for FFTMC
        • Gazette Preview on Christopher Moore for FFTMC
        • Charlebois Post for FFTMC
      • Mary's Wedding Press >
        • Charlebois Post Interview with Gabrielle Soskin for Mary's Wedding
        • Canadian Jewish News Preview for Mary's Wedding
        • The Mirror Preview for Mary's Wedding
        • Charlebois Post Preview for Mary's Wedding
      • Henry V Press >
        • The Suburban Preview for Henry V
        • The Gazette Review for Henry V
        • Rover Arts Report for Henry V
        • Midnight Poutine Review for Henry V
        • Coolopolis Review for Henry V
        • Rover Arts Review for Henry V
      • Be My Baby Press >
        • Gazette Preview for Be My Baby
        • Gazette Review for Be My Baby
        • The West End Times Preview for Be My Baby
        • The Suburban Review for Be My Baby
      • Cherry Docs Press >
        • The Gazette (Cherry Docs)
        • The Suburban (Cherry Docs)
        • Rover Arts (Cherry Docs)
        • Dee Arr (Cherry Docs)
        • The Canadian Jewish News (Cherry Docs)
        • HOUR (Cherry Docs)
        • The Mirror (Cherry Docs)
        • Stanstead Journal (Cherry Docs)
      • Othello Press >
        • The Gazette (Othello)
        • The Concordian (Othello)
        • The Link (Othello)
        • MicGill Tribune (Othello)
        • The Westmount Independent (Othello)
        • The NDG Monitor (Othello)
      • Unity 1918 Press >
        • The Gazette (Unity 1918)
        • The Mirror (Unity 1918)
        • Invisible Cities Network (Unity 1918)
        • McGill Tribune (Unity 1918)
        • HOUR (Unity 1918)
      • The Love of Shakespeare's Women Press >
        • The Westmount Independent (The Loves of Shakespeare's Women)
        • The Gazette (The Loves of Shakespeare's Women)
      • To The Green Fields Beyond Press >
        • The Gazette (To The Green Fields Beyond)
        • The Mirror (To The Green Fields Beyond)
      • Prodigy Press >
        • The Gazette (Prodigy)
        • La Press (Prodigy)
        • Le Délit (Prodigy)
        • Invisible Cities Network (Prodigy)
        • McGill Tribune (Prodigy)
        • The Surban (Prodigy)
        • The Mirror (Prodigy)
        • McGill Daily (Prodigy)
      • Spring Awakening Press >
        • The Gazette (Spring Awakening)
        • Prince Chameleon Press (Spring Awakening)
        • Délit (Spring Awakening)
        • Mon Theatre (Spring Awakening)
      • A Room of One's Own Press >
        • CBC Radio One (A Room of One's Own)
        • The Gazette (A Room of One's Own)
        • The Westmount Examiner (A Room of One's Own)
        • The Canadian Jewish News (A Room of One's Own)
      • SubUrbia Press >
        • CBC Radio One(SubUrbia)
        • The Gazette (SubUrbia)
        • Montreal Mirror (SubUrbia)
        • HOUR (SubUrbia)
        • The Suburban (SubUrbia)
        • Westmount Times (SubUrbia)
        • The Canadian Jewish News (SubUrbia)
      • Jane Eyre Press >
        • The Canadian Jewish News (Jane Eyre)
        • Orcasound (Jane Eyre)
      • Kindertransport Press >
        • The Gazette (Kindertransport)
        • Montreal Mirror (Kindertransport)
        • The Suburban (Kindertransport)
        • The Chronicle (Kindertransport)
      • Playhouse Creatures Press >
        • Montreal Mirror
        • Westmount Times
      • Anna Karenina Press >
        • Gazette Review
        • Montreal Mirror Review
    • Bulletin
    • Rétroaction
    • Reçus
    • Contact
  • Parrainage
  • Productions Anterieurs
    • oct 2019 Blue Stockings
    • mai, nov 2018: Counting Aloud
    • oct 2018: Abigail/1702
    • Spring Awakening: The Musical
    • Des fraises en janvier
    • Lost: A Memoir
    • Oroonoko
    • Hamlet
    • To Be
    • Far from the Madding Crowd
    • Mary's Wedding
    • Henry V
    • Ten year Anniversary Gala
    • Be My Baby
    • Cherry Docs
    • Othello
    • The Love of Shakespeare's Women (2)
    • Unity 1918
    • The Love of Shakespeare's Women (1)
    • To the Green Fields Beyond
    • Prodigy
    • Spring Awakening
    • A Room of One's Own
    • SubUrbia
    • Jane Eyre
    • West
    • Kindertransport
    • Playhouse Creatures
    • Anna Karenina
  • Blog
  • anciens élèves notables
  • ENGLISH

Hope, hate and combat boots by Julia Gerke

Prejudices are everywhere, but put a Jewish lawyer and a raging skinhead in the same room and you have an explosive combination. David Gow does exactly that in his evocative play Cherry Docs, presented by Persephone productions at the Théâtre Ste. Catherine.

Directed by Persephone's artistic director Gabrielle Soskin, the actors get serious about themes such as love, hate, tolerance, prejudice and spirituality. The two-person play develops a fine-tuned dynamic between the characters, propelling the story forward with remarkable intensity and insight into the human mind. Sean Carney plays Danny Dunkelman, the English-Irish-Scottish-Belgian Jew and a "real Canuck" who likes living in his multi-cultural neighbourhood. He's also a liberal legal-aid lawyer and has been assigned to defend the young skinhead Mike, who is accused of attacking and killing a South Asian man without provocation. Improv actor Dan Jeanotte is unrecognisable and miles away from his familiar punchline environment, sporting a shaved head and false tattoos. In his opening monologue as mike, the audience learns about his racist views and why he wears the steel-toed cherry-coloured Doc Martens combat boots, which he calls "the perfect line of footwear" and a great weapon. Mike is angry and tense and wants to be tried as an individual rather than a skinhead to protect the movement. Despite his racist views, he doesn't seem to mind that Danny is Jewish, but Danny himself can hardly contain the contempt he feels for Mike. He wants the skinhead to come up with his own defence strategy and forces Mike to think about his views and actions. Over the course of the play, Danny and Mike forge an uneasy connection and the little insights into their thoughts and lives make this 90-minute play simply fly by. The set and lighting design ny Mee Youn makes use of the theatre's rustic space. Two chairs, a table and a simple briefcase in front of a black background and the exposed brick wall are all that is needed to set up a dull prison environment. A digital projector introduces each new scene with a title of spiritual significance.

Persephone Productions is known for ensemble pieces, but with this play they prove that they can do it all. Cherry Docs is an excellent production that merits a visit.

The Suburban
April 22, 2009
Powered by Create your own unique website with customizable templates.